Vampyr 1932 REVIEW

Carl Theodor Dreyer's dreamlike Vampyr 1932 is a landmark of early vampire cinema, drawing on Sheridan Le Fanu's In a Glass Darkly

Carl Theodor Dreyer's dreamlike Vampyr 1932 is a landmark of early vampire cinema, drawing on Sheridan Le Fanu's In a Glass Darkly

Spooky Isles

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Spooky Isles

23 January 2013 · 2 min read

TITLE: Vampyr
RELEASED:
1932
DIRECTOR:
Carl Theodor Dreyer
WRITERS:
Carl Theodor Dreyer and Christen Jul
CAST:
Nicolas de Gunzburg, Henriette Gérard and Sybille Schmitz

Vampyr was Carl Theodor Dreyer’s first sound film and remains one of the strangest landmarks of early horror cinema.

The French-German production follows Allan Gray, a traveller drawn into a world of sickness, shadows and vampirism after arriving at a remote inn. Dreyer loosely drew on stories from Irish writer Sheridan Le Fanu’s 1872 collection In a Glass Darkly, which also contains Carmilla.

Vampyr 1932
Carl Theodor Dreyer’s Vampyr 1932 remains one of early cinema’s most dreamlike vampire films.

Review of Vampyr 1932

Vampyr feels very different from the Universal horror films being made in Hollywood at the same time. Dreyer uses hazy photography, sparse dialogue, strange shadows and disorienting images to make the film feel less like a conventional story and more like a waking nightmare.

Nicolas de Gunzburg, credited as Julian West, plays Allan Gray with an appropriately distant quality. Like many of the film’s performers, he was not a professional actor, which adds to the uneasy atmosphere rather than taking away from it.

The result is an eerie and unusual vampire film whose influence reaches far beyond its relatively simple plot. Its connection to Le Fanu also makes it an important early step in the screen history that would later lead to more direct Carmilla adaptations and Hammer’s Karnstein films.

Scene from Vampyr 1932
Vampyr 1932 uses shadows and dreamlike imagery to create its unsettling atmosphere.

Read more: Explore Carmilla films and the lesbian vampire tradition on Spooky Isles.

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