Films

REVIEW: The Mummy (1959)

REVIEW: The Mummy (1959)

The-Mummu-Main


TITLE: The Mummy
YEAR RELEASED: 1959
STUDIO: Hammer Films
DIRECTOR: Terence Fisher

CAST: Peter Cushing, Christopher Lee, Yvonne Furneaux, Eddie Byrne, George Pastell

PLOT: In the 1890s, English archeologists, recently returned from a dig in Egypt, read out an ancient scroll, accidentally reviving an mummified High Priest, who returns to life and brings them death and misery on the English countryside

MORAL OF THE STORY: Probably not best to read ancient Egyptian scrolls out loud, just in case!

FUN FACT: The film includes an iconic scene with the Mummy rising from a swamp. The Mummy was only placed in the swamp in the first place because the film-makers thought it would look cool – which indeed it did!


REVIEW BY ADAM SCOVELL


Having hit gold with their adaptations of Universal classic horrors Frankenstein (Curse of Frankenstein, 1957) and Dracula (Horror of Dracula, 1958), Hammer delved further into the back catalogue of monsters and villains in its 1959 production, The Mummy.  Unlike the previous two adaptations, this one seems relatively similar to its Universal predecessor in tone and feel, making it feel like a necessity for the company rather than a genuinely good idea or exciting film for that matter.

The film opens in 1890 at an excavation of a tomb in Egypt.  Stephen Banning (Felix Aylmer) is in charge of the excavation team along with his son, John (Peter Cushing).  Mysterious happenings start to befall the excavation as Banning senior witnesses something terrifying in the tomb while an odd local tries to warn them off their exaction with stories of a curse that will put them in the gravest of dangers.  A few years later, Stephen is now in a local home and has called John to see him after a few years gap to explain his worry about the living mummy appeared to him at the excavation and how his worry of its return is taking over.

The Mummy is one of Universal’s weaker films anyway, even with the presence of its stunning regular team.  The Hammer adaptation simply doesn’t innovate enough to make up for the originals slightly stifled narrative and tone.  The film is strongest once it has moved away from Egypt and back into tradition Hammer territory of the English countryside as its Egyptian visuals have a bi-polar colour palette and a surprisingly slapdash approach to the often meticulous use of colour in Hammer films.

Cushing and Lee are the obvious reasons to watch.  It goes without saying that both give excellent performances, even with Lee in particular having very little dialogue (as we learn his punishment for his current mummified condition cost him his tongue) still coming out strong as the menacing creature.  However some of the supporting cast fare less well with often clichés and jokes making up their dialogue.  George Pastell (a Hammer regular perhaps better known as the ambitious Logician Erik Klieg in 1967’s Tomb of the Cybermen for those literate in Doctor Who) bears the brunt of this and is given some horrendously dated “death to the infidels” themed monologues.

However the film does boast some great moments of tension.  Cushing’s usual fast paced agility is replaced thanks to his characters limp which adds a great deal of suspense to his chase scenes, especially with Lee being such a dominating and relentless on screen presence.  Like its Universal predecessor, The Mummy is one of the weaker titles in the Hammer canon.  Its fantastic leads do make it worth watching (as per usual) but without the tags of Cushing and Lee, this would no doubt be one of the few Hammer’s to become entombed in its own sarcophagus.


ADAM SCOVELL is a music student specialising in film music. When not obsessively watching and writing about film, he can be found playing jazz in seedy clubs and making short films found at www.celluloidwickerman.com


View Comments (1)

1 Comment

Leave a Reply

Your email address will not be published. Required fields are marked *

Films
@AdamScovell

Adam Scovell is a writer and filmmaker currently studying for a PhD in Music at the University of Liverpool. He has written for The Times and The Guardian, had films screened at Manchester Art Gallery, FACT and The Everyman Playhouse, and runs the twice Blog North Awards nominated website, Celluloid Wicker Man.

More in Films

Seize the Night

Seize the Night has landed! Watch it now for FREE

Staff Writer3rd May 2016
nosferatu

Dacre Stoker’s Top 10 Dracula-inspired Films

Dacre Stoker24th April 2016
Judy-Matheson-cover

Hammer’s Judy Matheson counts down her horror film favourites

David Saunderson17th April 2016
Victor-Frankenstein-Poster

Deleted Scene from Victor Frankenstein (2015)

Staff Writer11th April 2016
Fox-Trap-Banner

Fox Trap, a throwback to slasher horror fun

Kayleigh Marie Edwards28th March 2016
Morgan-Fairchild-with-Patrick-Macnee-and-Christopher-Lee-in-Sherlock-Holmes-and-the-Leading-Lady

The many faces of Sherlock’s ‘the woman’ Irene Adler

Nia Jones22nd March 2016
Devil's-Playground-2010

Devil’s Playground (2010) REVIEW

Simon Ball10th March 2016
Batman-vs-Jack-the-Ripper

Batman versus Jack the Ripper

Andrew Garvey9th March 2016
Night-Kaleidoscope

Is ‘Night Kaleidoscope’ the scariest horror of the year?

Kayleigh Marie Edwards6th March 2016
Dinosaur-Project

The Dinosaur Project (2012) REVIEW

Simon Ball6th March 2016
Victor-Frankenstein-Poster

Victor Frankenstein (2015) REVIEW

Ann O'Regan23rd February 2016
Screamvention

Screamvention – Horror comes howling to Dublin!

Ann O'Regan22nd February 2016