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Carry On Screaming! 1966 REVIEW
Carry On Screaming! 1966 by L.H. DAVIES
House of Dracula 1945 REVIEW
House of Dracula 1945 reviewed by SIMON BALL
British Gothic Horror meets 1970s Blaxploitation Cinema
British Gothic Horror gets funky with 1970s Blaxploitation. RICHARD PHILLIPS-JONES gets in the groove...
Countess Dracula 1971 REVIEW
SIMON BALL reviews Hammer classic, Countess Dracula 1971
British Werewolves on Film, A Beginner’s Guide
RICHARD PHILIPS-JONES would like to introduce you to the most frightening of beasts on film - British Werewolves!
Horrors of the Black Museum 1959 REVIEW
Horrors of the Black Museum 1959 reviewed by SIMON BALL
5 Missing British Horror Films
RICHARD PHILLIPS-JONES laments the lost of some classic British horror films
Blood from the Mummy’s Tomb 1971 REVIEW
Blood from the Mummy's Tomb 1971 reviewed by SIMON BALL
Taste the Blood of Dracula 1970 REVIEW
Taste the Blood of Dracula 1970 is one of Hammer's best Dracula sequels, says SIMON BALL
The Man Who Changed His Mind 1936 REVIEW
ANDREW GARVEY reviews the Karloff classic, The Man Who Changed His Mind 1936
Hands of the Ripper 1971 REVIEW
ERIC MCNAUGHTON reviews Hands of the Ripper 1971
Werewolf of London 1935 REVIEW
Werewolf of London 1935 was Universal's first attempt to bring the lycanthrope into its stable of horror stars, says ANDREW GARVEY
Stan Laurel goes wild in Dr Pyckle and Mr Pride 1925 FULL MOVIE
STEPHEN JACOBS ponders Stan Laurel's horror comedy, Dr Pyckle and Mr Pride (1925)
Where did Robert Louis Stevenson live in Hampstead?
A sign on a house in Mount Vernon, Hampstead, notes its former resident, Robert Louis Stevenson
Gothic Horror and British Identity
HOWARD JACKSON looks at why Gothic horror forms an important element in English literature that needs to be preserved
Top 5 Jack the Ripper films of all time
Guest writer ERIC McNAUGHTON looks at his top five Jack the Ripper films and tell us why they are the best...
Mary Reilly 1996 REVIEW
Mary Reilly 1996 is a fresh twist on The Strange Case of Dr Jekyll and Mr Hyde, told through the eyes of a poor housemaid who works for the good doctor.