Tag: Boris Karloff Films

Curse Of The Crimson Altar 1968 is a good-dated thriller with moments of fun, says TERRY SHERWOOD

The Comedy of Terrors 1963 brings together horror’s finest, but wastes the opportunity, says TERRY SHERWOOD

Corridors of Blood 1958 with Boris Karloff and Christopher Lee is a solid yet slightly clichéd historical horror film, says TERRY SHERWOOD

The Sorcerers 1967 is worth digging out to see a fine performance from Boris Karloff, says TERRY SHERWOOD

Targets 1968 was a perfect bookend to the career of monster maestro Boris Karloff, says TERRY SHERWOOD

Black Sabbath 1963, by celebrated Italian director Mario Bava , was Boris Karloff's only vampiric role. TERRY SHERWOOD takes a look at the classic horror anthology.

TERRY SHERWOOD takes a look at Die Monster Die! 1965, one of Boris Karloff's last great films

MARK FRYERS looks back on The Ghoul 1933 - Boris Karloff's first British film...

RICHARD PHILLIPS-JONES reveals The Old Dark House aka what director James Whale did after 1931's Frankenstein...

Boris Karloff and Bela Lugosi's second collaboration, the Edgar Allan Poe-inspired The Raven (1935). Review by RICHARD PHILLIPS-JONES.

RICHARD PHILLIPS-JONES looks at The Black Cat 1934, the first encounter between Boris Karloff and Bela Lugosi!!

RICHARD PHILLIPS-JONES reflects on a double-role for Boris Karloff, starring in period chiller The Black Room.

The Boogie Man Will Get You 1942 is a Columbia quickie which teams up two horror favourites, RICHARD PHILLIPS-JONES says

TERRY SHERWOOD reviews Universal Horrorfest. House of Frankenstein (1944)

The Body Snatcher 1945 starring Boris Karloff is the definition of psychological horror, says ANN MASSEY

ANDREW GARVEY reviews the Karloff classic, The Man Who Changed His Mind 1936

Son of Frankenstein 1939 was one of Universal Studio's last great horrors, says DAVID SAUNDERSON

Boris Karloff eats up the screen in The Mask of Fu Manchu 1932, says DAVID SAUNDERSON

ANDREW GARVEY reviews the Karloff classic, The Mummy 1932

Bride of Frankenstein 1935 showcases all of James Whale’s wonderfully subversive and quintessentially British qualities, says ADAM SCOVELL

Roger Corman’s comedy The Raven starring Price, Karloff and Lorre is great fun.

Frankenstein 1931 made Boris Karloff a star. DAVID SAUNDERSON reviews the classic Universal horror.