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The Haunting of Helen Walker 1995 REVIEW
The Haunting of Helen Walker 1995, a TV remake of The Turn of the Screw, lacks polish but is worth watching by lovers of traditional ghost stories, writes GEMMA JOHNSON
Ken Russell’s Gothic 1986, Now Available On Blu-Ray
The BFI's Blu-ray release of Gothic 1986 is brimming with fantastic extras to satisfy fans of Ken Russell, Frankenstein and strange gothic horror, writes DAVID SAUNDERSON
Horror Hospital 1973 REVIEW
Horror Hospital 1973 deserves its status as a British horror cult classic, writes ANDREW ALLEN
Twisted Nerve 1968 REVIEW
Twisted Nerve 1968 is a complex and enduring thriller, albeit problematic due to its controversial themes, writes DAVID DENT
The Legacy 1978 REVIEW
The Legacy 1978 is a a campy British horror classic with unforgettable performances and a real-life Hollywood love story, writes BARNABY MARRIOTT
To Fire You Come At Last 2023 REVIEW
To Fire You Come At Last 2023 is more than just a creepy horror film, it's a poignant meditation on grief, writes DAVID SAUNDERSON
The Last Voyage Of The Demeter 2023 REVIEW
The Last Voyage of the Demeter 2023 offers us a new angle to Dracula but misses the essence of Bram Stoker's original masterpiece, writes TERRY SHERWOOD
The Invisible Man 1933 REVIEW
Universal's The Invisible Man 1933 is still the gleeful best version of the HG Well's classic, writes TERRY SHERWOOD
The Vulture 1967 REVIEW
The Vulture 1967 is a science fiction pulp film set in Cornwall with a weak plot and a half-man, half-bird creature, but it’s still fun, writes TERRY SHERWOOD
Peeping Tom 1960 REVIEW
Peeping Tom 1960, the original slasher horror, was derided in its time, but is now regarded as a masterpiece, says RICHARD MARKWORTH
Millennial Killer 2020 REVIEW
Millennial Killer 2020 is an unpleasant throwback to grindhouse films and serves as an important reminder of why the subgenre gets a bad rep, says KATE INGLEBY-PARYLO
Lonely Hearts 2019 REVIEW
Lonely Hearts, a low-budget British horror with a a strong premise and interesting characters, will prove too soft for most horror fans, writes KATE INGLEBY-PARYLO
One Million Years BC 1966 REVIEW
One Million Years BC 1966, from Hammer Films, remains a classic example of good entertainment and solid performances, offering pure escapism for audiences, says RICHARD MARKWORTH
Coven of Evil 2020 REVIEW
Coven of Evil 2020 is a British horror film that has a strange allure, but ultimately fails to live up to its promise, says KATE INGLEBY-PARYLO
Creep 2004 REVIEW
Creep 2004 offers a mixed-bag of horror elements but should satisfy most gorehounds, says KATE INGLEBY-PARYLO
Wind Chill 2007 REVIEW
Wind Chill 2007 is a disappointing wintry horror with little to make you care about what happens to the characters, writes KATEÂ INGLEBY-PARYLO
Straight On Till Morning 1972 REVIEW
Straight On Till Morning 1972, a wonderful, stylised snapshot of early 70s London, is a must-see thriller for all fans of Hammer, says RICHARD MARKWORTH
The Living Dead at the Manchester Morgue 1974 REVIEW
The Living Dead at the Manchester Morgue 1974 is original, tense and deeply funny but it will have you in a state of disbelief, says KATE INGLEBY-PARYLO
Curse of the Fly 1965 REVIEW
Curse of the Fly 1965Â is limited by its low budget, but director Don Sharp does a fine job on this British-made Fly sequel, writes TERRY SHERWOOD
Men 2022 REVIEW
Men 2022 treads the fine line between blatant and profound, says KATE INGLEBY-PARYLO
Silent Night 2021 REVIEW
Silent Night 2021 is horrifyingly depressing black comedy Christmas film, which is a joy to experience, writes KATEÂ INGLEBY-PARYLO
The Stranglers of Bombay 1959 REVIEW
The Stranglers of Bombay 1959 presents an interesting and little-addressed historical subject treated in several unusual ways, writes TERRY SHERWOOD
Hounded 2022 REVIEW
Hounded 2022 is an classy British action-horror that has plenty of surprises, writes LORCAN MAGUIRE
Cherry Tree Lane 2010 REVIEW
Cherry Tree Lane 2010 is a test of endurance, not only for the characters but those watching it, writes KATE INGLEBY-PARYLO